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20अक्टूबर से 21जनवरी तक में मंगल अपने नीच राशि कर्क में तुला वृश्चिक धनु राशि पर क्या पड़ेगा प्रभाव
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Hi friends..Today i will show you how to make thorana beautiful..Thorana decorations..
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ಹಬ್ಬಕ್ಕೆ ಚಂದವಾದ ತೋರಣ || Thorana designs || How to make Thorana decorations || Kannada sanjeevani
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Bigg Boss 18 | Vivian D'Sena Ko Chahat Se Nafrat Padegi Mehengi
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Bigg Boss 18 | Boss Meter Trend Me Elvish Yadav Ki Entry, Vivian vs Rajat Dalal
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Watch ghazal penned by Abbas Dana
Apne Khvaabo.n me.n tujhe jis ne bhii dekhaa hogaa
aa. Nkh khulate hii tujhe Dhuu.NDhane nikalaa hogaa
zindagii sirf tere naam se mansuub rahe
jaane kitane hii dimaaGo.n ne ye sochaa hogaa
[mansuub = related]
dost ham us ko hii paiGaam-e-karam samajhenge
terii furqat kaa jo jalataa huaa lamhaa hogaa
[paiGaam-e-kam = message of kindness; fuqat = separation]
daaman-e-ziist me.n ab kuchh bhii nahii.n hai baaqii
maut aa_ii to yaqiinan use dhokaa hogaa
[daaman-e-ziist = fabric of life; yaqiinan = surely]
raushanii jis se utar aa_ii lahuu me.n mere
ai masiihaa vo meraa zaKhm-e-tamannaa hogaa
By Nishant Akshar| 1700 views
Do you know that Buddhist monks practice specialized form of chanting in lower notes to strengthen their vocal chords and deepen their voice?
Kharaj ka Riyaz means practising lower notes. The practice of lower notes is emphasised a lot in Indian Classical Music. Even though singing usually involves middle notes, the practising lower notes is must for perfect voice culture and development of tonal bass in singing.
The thumb rule in Indian Classical Music is to practice swaras in lower notes, especially in the morning, and sing in the usual middle and higher notes.
By Nishant Akshar| 23819 views
We usually undermine the importance of old people. In fact, they are an asset. Here one of the contemporary ghazal poet, Sarvesh Chandausvi writes in favour of the aged.
Composed and sung by Nishant Akshar the music of this track has been arranged by Anuroop Kukreja, a product of SRFTI, Calcutta, India.
By Nishant Akshar| 1865 views
Watch Cover song Mera Kuchh Saman Tumhare Paas Pada Hai by Sarita Video.
By Nishant Akshar| 1780 views
Raga Bhairav - A Brief Introduction
Bhairav involves all the 7 notes with 'komal' (soft notes) Rishab and Dhaivat and therefore known as a heptatonic (Sampurna) Hindustani Classical raga of Bhairav Thaat.
Bhairav Raag is primarily sung in the early morning time.
This video includes the basic understanding of the notes used in Raag Bhairav with bandish 'Dhan Dhan Murat Krishna Murari' dedicated to Lord Krishna.
By Nishant Akshar| 1525 views
Aaj Jane ki Zid Na Karo, a beautiful ghazal sung by legendary singers such as Fardia Khanum ji, Asha Bhonsle Ji, etc. is one of the hot favourite of all listeners. Indeed, this track reverberates throughout hearts all over the world.
In this video, Sarita Ji, a professional singer, teaches this beautiful ghazal for those who wish to learn and sing. This exceptionally valuable audio/visual depicts not only the notes involved in this composition but also the taal (rhythm) that this song goes along with.
By Nishant Akshar| 18875 views
Raga Yaman - A Brief Introduction
Yaman involves all the 7 notes with 'tivr' (sharp note) Madhyam and therefore known as a heptatonic (Sampurna) Hindustani Classical raga of Kalyan Thaat.
By Nishant Akshar| 1560 views
Watch Valentine Ghazals Composed and Sung by Nishant and Sarita Video.
By Nishant Akshar| 1968 views
Watch Valentine Ghazals Composed and Sung by Nishant and Sarita Video.
By Nishant Akshar| 1576 views
Ornamentations or various types of modulations in Indian Classical are widely applauded as it makes the exploration of a raga mesmerizing. With different kinds of ornamentations available at hand, the given are prominent and form the bedrock of beautification process.
Meend is widely used in Indian Classical along with khatka, murki and gamak thus making the progression of notes more appealing and captivating. It is these subtle modulations that makes the Indian Classical melodious and beautiful.
By Nishant Akshar | 4834 views
Do you know that Buddhist monks practice specialized form of chanting in lower notes to strengthen their vocal chords and deepen their voice?
Kharaj ka Riyaz means practising lower notes. The practice of lower notes is emphasised a lot in Indian Classical Music. Even though singing usually involves middle notes, the practising lower notes is must for perfect voice culture and development of tonal bass in singing.
The thumb rule in Indian Classical Music is to practice swaras in lower notes, especially in the morning, and sing in the usual middle and higher notes.
By Nishant Akshar| 23819 views
Nishant Akshar Live at Vasant Vihar Club singing Yeh Baatein Jhooti Baatein Hain
Originally composed and sung by Ghulam Ali
Event Courtesy - Live Events and Citibank
By Nishant Akshar| 2061 views
Ornamentations or various types of modulations in Indian Classical are widely applauded as it makes the exploration of a raga mesmerizing. With different kinds of ornamentations available at hand, the given are prominent and form the bedrock of beautification process.
Meend is widely used in Indian Classical along with khatka, murki and gamak thus making the progression of notes more appealing and captivating. It is these subtle modulations that makes the Indian Classical melodious and beautiful.
By Nishant Akshar| 4834 views
Sarita Sings Aaiye Meherbaan at India Habitat Centre, Silver Oak Hall
Watch Nishant Akshar and Sarita Live at IHC - Sarita sings Aaiye Meherbaan With HD Quality
By Nishant Akshar| 17749 views
Timeless Love Rendered Sublime
Valentine Ghazals Composed and Sung by Nishant and Sarita
By Nishant Akshar| 176557 views
Sarita sings Lag ja Gale ki Phir Ye Hansi Raat Ho Na Ho sung by Lata Mangeshkar Ji
By Nishant Akshar| 17245 views
Hum the Jinke Sahare by Sarita originally sung by Lata Ji - Live Song and Ghazal Shows 91 9810034468 , 0120-4242455
By Nishant Akshar| 49434 views
Sarita (QUEEN OF GOLDEN VOICE) - Doston Tum Sab Ko Yeh Shaam Mubhark Ho, Programme at Gurgaon, Pinnacle, India - Live Song and Ghazal Shows - +91 9810034468, 0120-4242455
By Nishant Akshar| 17945 views
Aaj Jane ki Zid Na Karo, a beautiful ghazal sung by legendary singers such as Fardia Khanum ji, Asha Bhonsle Ji, etc. is one of the hot favourite of all listeners. Indeed, this track reverberates throughout hearts all over the world.
In this video, Sarita Ji, a professional singer, teaches this beautiful ghazal for those who wish to learn and sing. This exceptionally valuable audio/visual depicts not only the notes involved in this composition but also the taal (rhythm) that this song goes along with.
By Nishant Akshar| 18875 views
Mein Tenu Samjhavan Ki originally sung by Rahat Fateh Ali Khan.
Watch Main tenu samjhawan ki by Nishant Akshar With HD Quality
By Nishant Akshar| 2209 views
Ornamentations or various types of modulations in Indian Classical are widely applauded as it makes the exploration of a raga mesmerizing. With different kinds of ornamentations available at hand, the given are prominent and form the bedrock of beautification process.
Meend is widely used in Indian Classical along with khatka, murki and gamak thus making the progression of notes more appealing and captivating. It is these subtle modulations that makes the Indian Classical melodious and beautiful.
By Nishant Akshar| 4834 views
Watch ghazal penned by Abbas Dana
Apne Khvaabo.n me.n tujhe jis ne bhii dekhaa hogaa
aa. Nkh khulate hii tujhe Dhuu.NDhane nikalaa hogaa
zindagii sirf tere naam se mansuub rahe
jaane kitane hii dimaaGo.n ne ye sochaa hogaa
[mansuub = related]
dost ham us ko hii paiGaam-e-karam samajhenge
terii furqat kaa jo jalataa huaa lamhaa hogaa
[paiGaam-e-kam = message of kindness; fuqat = separation]
daaman-e-ziist me.n ab kuchh bhii nahii.n hai baaqii
maut aa_ii to yaqiinan use dhokaa hogaa
[daaman-e-ziist = fabric of life; yaqiinan = surely]
raushanii jis se utar aa_ii lahuu me.n mere
ai masiihaa vo meraa zaKhm-e-tamannaa hogaa
By Nishant Akshar| 1700 views
Do you know that Buddhist monks practice specialized form of chanting in lower notes to strengthen their vocal chords and deepen their voice?
Kharaj ka Riyaz means practising lower notes. The practice of lower notes is emphasised a lot in Indian Classical Music. Even though singing usually involves middle notes, the practising lower notes is must for perfect voice culture and development of tonal bass in singing.
The thumb rule in Indian Classical Music is to practice swaras in lower notes, especially in the morning, and sing in the usual middle and higher notes.
By Nishant Akshar| 23819 views
We usually undermine the importance of old people. In fact, they are an asset. Here one of the contemporary ghazal poet, Sarvesh Chandausvi writes in favour of the aged.
Composed and sung by Nishant Akshar the music of this track has been arranged by Anuroop Kukreja, a product of SRFTI, Calcutta, India.
By Nishant Akshar| 1865 views
Watch Cover song Mera Kuchh Saman Tumhare Paas Pada Hai by Sarita Video.
By Nishant Akshar| 1780 views
Raga Bhairav - A Brief Introduction
Bhairav involves all the 7 notes with 'komal' (soft notes) Rishab and Dhaivat and therefore known as a heptatonic (Sampurna) Hindustani Classical raga of Bhairav Thaat.
Bhairav Raag is primarily sung in the early morning time.
This video includes the basic understanding of the notes used in Raag Bhairav with bandish 'Dhan Dhan Murat Krishna Murari' dedicated to Lord Krishna.
By Nishant Akshar| 1525 views
Aaj Jane ki Zid Na Karo, a beautiful ghazal sung by legendary singers such as Fardia Khanum ji, Asha Bhonsle Ji, etc. is one of the hot favourite of all listeners. Indeed, this track reverberates throughout hearts all over the world.
In this video, Sarita Ji, a professional singer, teaches this beautiful ghazal for those who wish to learn and sing. This exceptionally valuable audio/visual depicts not only the notes involved in this composition but also the taal (rhythm) that this song goes along with.
By Nishant Akshar| 18875 views
Raga Yaman - A Brief Introduction
Yaman involves all the 7 notes with 'tivr' (sharp note) Madhyam and therefore known as a heptatonic (Sampurna) Hindustani Classical raga of Kalyan Thaat.
By Nishant Akshar| 1560 views
Watch Valentine Ghazals Composed and Sung by Nishant and Sarita Video.
By Nishant Akshar| 1968 views
Watch Valentine Ghazals Composed and Sung by Nishant and Sarita Video.
By Nishant Akshar| 1576 views
