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क्या इजराइल, फिलिस्तीन और हमास का युद्ध विश्व युद्ध की ओर जा रहा है ?
"प्रखर राष्ट्रवाद की बुलंद आवाज़"
सुदर्शन न्यूज़ चैनल आप देख सकते हैं आपको दिए हुए लिंक पर जाए और सुदर्शन से जुड़े तमाम चैनल जिसमें आप इतिहास, विज्ञान, एजुकेशन, इंटरव्यू और बॉलीवुड़ की जानकारी मिल सकती है।
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क्या इजराइल, फिलिस्तीन और हमास का युद्ध विश्व युद्ध की ओर जा रहा है ? || SudarshanNews
দ্বাৰা Sudarshan News| 52 মতামত
CRPF signed an MoU with the IRCTC on Railway Reserved e-ticketing system
Watch IRCTC 11 With HD Quality
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Education ???? पर Arvind Kejriwal की जबरदस्त Speech ???? | Latest Motivational Speech | Aam Aadmi Party
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Education ???? पर Arvind Kejriwal की जबरदस्त Speech ???? | Latest Motivational Speech | Aam Aadmi Party
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महिलाओं ने Mehandi और Make Up के साथ पूरी की आज के दिन की तैयारी | karwa chauth 2023 puja time
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দ্বাৰা PunjabKesari TV| 58 মতামত
Bhumi Pednekar recently appeared in the comedy Thank You For Coming and the film invited some extreme reactions from the viewers. While some praised the film for its bold concept, some shamed it for that. In an exclusive conversation with Bollywood Bubble host Akash Bhatnagar, Bhumi spoke about the latter group of people and slammed them for the shaming. She expressed her disappointment towards people who didn’t criticise the film but its intent. The actress discussed the prevalent gender bias and how people never took offence when she was a part of such stories told from a male perspective. She pointed out how Pankaj Tripathi and Akshay Kumar starrer OMG 2 was supported by the same people who shamed her film, when somewhere they dealt with the same subject. Bhumi revealed if not getting any support from women within the industry disappointed her. She highlighted the hypocrisy of the situation that people accept objectification of women but have a problem with them talking about their sexuality. You can watch the entire conversation here.
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Bhumi Pednekar on reaction to Thank You For Coming, OMG 2, lack of gender equality, viewer hypocrisy
দ্বাৰা Bollywood Bubble| 344 মতামত
Special Briefing on the Visit of President of Maldives to India (August 02, 2022)
দ্বাৰা Ministry of External Affairs, India| 194307 মতামত
Modi Sarkar के खिलाफ सड़कों पर उतरे हजारों लोग | Jammu and Kashmir | Breaking News | #dblive
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Shahid Kapoor ने Wife को विश किया Birthday :बोले- तुम मेरे दिल की रानी हो, Share कीं तस्वीरें
দ্বাৰা LNV India| 500 মতামত
Watch ghazal penned by Abbas Dana
Apne Khvaabo.n me.n tujhe jis ne bhii dekhaa hogaa
aa. Nkh khulate hii tujhe Dhuu.NDhane nikalaa hogaa
zindagii sirf tere naam se mansuub rahe
jaane kitane hii dimaaGo.n ne ye sochaa hogaa
[mansuub = related]
dost ham us ko hii paiGaam-e-karam samajhenge
terii furqat kaa jo jalataa huaa lamhaa hogaa
[paiGaam-e-kam = message of kindness; fuqat = separation]
daaman-e-ziist me.n ab kuchh bhii nahii.n hai baaqii
maut aa_ii to yaqiinan use dhokaa hogaa
[daaman-e-ziist = fabric of life; yaqiinan = surely]
raushanii jis se utar aa_ii lahuu me.n mere
ai masiihaa vo meraa zaKhm-e-tamannaa hogaa
দ্বাৰা Nishant Akshar| 1381 মতামত
Do you know that Buddhist monks practice specialized form of chanting in lower notes to strengthen their vocal chords and deepen their voice?
Kharaj ka Riyaz means practising lower notes. The practice of lower notes is emphasised a lot in Indian Classical Music. Even though singing usually involves middle notes, the practising lower notes is must for perfect voice culture and development of tonal bass in singing.
The thumb rule in Indian Classical Music is to practice swaras in lower notes, especially in the morning, and sing in the usual middle and higher notes.
দ্বাৰা Nishant Akshar| 23150 মতামত
We usually undermine the importance of old people. In fact, they are an asset. Here one of the contemporary ghazal poet, Sarvesh Chandausvi writes in favour of the aged.
Composed and sung by Nishant Akshar the music of this track has been arranged by Anuroop Kukreja, a product of SRFTI, Calcutta, India.
দ্বাৰা Nishant Akshar| 1495 মতামত
Watch Cover song Mera Kuchh Saman Tumhare Paas Pada Hai by Sarita Video.
দ্বাৰা Nishant Akshar| 1612 মতামত
Raga Bhairav - A Brief Introduction
Bhairav involves all the 7 notes with 'komal' (soft notes) Rishab and Dhaivat and therefore known as a heptatonic (Sampurna) Hindustani Classical raga of Bhairav Thaat.
Bhairav Raag is primarily sung in the early morning time.
This video includes the basic understanding of the notes used in Raag Bhairav with bandish 'Dhan Dhan Murat Krishna Murari' dedicated to Lord Krishna.
দ্বাৰা Nishant Akshar| 1275 মতামত
Aaj Jane ki Zid Na Karo, a beautiful ghazal sung by legendary singers such as Fardia Khanum ji, Asha Bhonsle Ji, etc. is one of the hot favourite of all listeners. Indeed, this track reverberates throughout hearts all over the world.
In this video, Sarita Ji, a professional singer, teaches this beautiful ghazal for those who wish to learn and sing. This exceptionally valuable audio/visual depicts not only the notes involved in this composition but also the taal (rhythm) that this song goes along with.
দ্বাৰা Nishant Akshar| 18703 মতামত
Raga Yaman - A Brief Introduction
Yaman involves all the 7 notes with 'tivr' (sharp note) Madhyam and therefore known as a heptatonic (Sampurna) Hindustani Classical raga of Kalyan Thaat.
দ্বাৰা Nishant Akshar| 1268 মতামত
Watch Valentine Ghazals Composed and Sung by Nishant and Sarita Video.
দ্বাৰা Nishant Akshar| 1221 মতামত
Watch Valentine Ghazals Composed and Sung by Nishant and Sarita Video.
দ্বাৰা Nishant Akshar| 1392 মতামত
Ornamentations or various types of modulations in Indian Classical are widely applauded as it makes the exploration of a raga mesmerizing. With different kinds of ornamentations available at hand, the given are prominent and form the bedrock of beautification process.
Meend is widely used in Indian Classical along with khatka, murki and gamak thus making the progression of notes more appealing and captivating. It is these subtle modulations that makes the Indian Classical melodious and beautiful.
দ্বাৰা Nishant Akshar | 3877 মতামত
Mein Tenu Samjhavan Ki originally sung by Rahat Fateh Ali Khan.
Watch Main tenu samjhawan ki by Nishant Akshar With HD Quality
দ্বাৰা Nishant Akshar| 1743 মতামত
Aaj Jane ki Zid Na Karo, a beautiful ghazal sung by legendary singers such as Fardia Khanum ji, Asha Bhonsle Ji, etc. is one of the hot favourite of all listeners. Indeed, this track reverberates throughout hearts all over the world.
In this video, Sarita Ji, a professional singer, teaches this beautiful ghazal for those who wish to learn and sing. This exceptionally valuable audio/visual depicts not only the notes involved in this composition but also the taal (rhythm) that this song goes along with.
দ্বাৰা Nishant Akshar| 18703 মতামত
Do you know that Buddhist monks practice specialized form of chanting in lower notes to strengthen their vocal chords and deepen their voice?
Kharaj ka Riyaz means practising lower notes. The practice of lower notes is emphasised a lot in Indian Classical Music. Even though singing usually involves middle notes, the practising lower notes is must for perfect voice culture and development of tonal bass in singing.
The thumb rule in Indian Classical Music is to practice swaras in lower notes, especially in the morning, and sing in the usual middle and higher notes.
দ্বাৰা Nishant Akshar| 23150 মতামত
Sarita sings Lag ja Gale ki Phir Ye Hansi Raat Ho Na Ho sung by Lata Mangeshkar Ji
দ্বাৰা Nishant Akshar| 17110 মতামত
Hum the Jinke Sahare by Sarita originally sung by Lata Ji - Live Song and Ghazal Shows 91 9810034468 , 0120-4242455
দ্বাৰা Nishant Akshar| 49265 মতামত
Sarita (Queen of Golden Voice) sings Aiye Mehebaan at Gurgaon, Pinnacle, IndiaWatch Nishant Akshar and Sarita - Sarita sings Aaiye Meherbaan With HD Quality
দ্বাৰা Nishant Akshar| 1682 মতামত
Timeless Love Rendered Sublime
Valentine Ghazals Composed and Sung by Nishant and Sarita
দ্বাৰা Nishant Akshar| 176212 মতামত
Sarita Sings Aaiye Meherbaan at India Habitat Centre, Silver Oak Hall
Watch Nishant Akshar and Sarita Live at IHC - Sarita sings Aaiye Meherbaan With HD Quality
দ্বাৰা Nishant Akshar| 17447 মতামত
Ornamentations or various types of modulations in Indian Classical are widely applauded as it makes the exploration of a raga mesmerizing. With different kinds of ornamentations available at hand, the given are prominent and form the bedrock of beautification process.
Meend is widely used in Indian Classical along with khatka, murki and gamak thus making the progression of notes more appealing and captivating. It is these subtle modulations that makes the Indian Classical melodious and beautiful.
দ্বাৰা Nishant Akshar| 3877 মতামত
Sarita (QUEEN OF GOLDEN VOICE) - Doston Tum Sab Ko Yeh Shaam Mubhark Ho, Programme at Gurgaon, Pinnacle, India - Live Song and Ghazal Shows - +91 9810034468, 0120-4242455
দ্বাৰা Nishant Akshar| 17505 মতামত
Ornamentations or various types of modulations in Indian Classical are widely applauded as it makes the exploration of a raga mesmerizing. With different kinds of ornamentations available at hand, the given are prominent and form the bedrock of beautification process.
Meend is widely used in Indian Classical along with khatka, murki and gamak thus making the progression of notes more appealing and captivating. It is these subtle modulations that makes the Indian Classical melodious and beautiful.
দ্বাৰা Nishant Akshar| 3877 মতামত
Watch ghazal penned by Abbas Dana
Apne Khvaabo.n me.n tujhe jis ne bhii dekhaa hogaa
aa. Nkh khulate hii tujhe Dhuu.NDhane nikalaa hogaa
zindagii sirf tere naam se mansuub rahe
jaane kitane hii dimaaGo.n ne ye sochaa hogaa
[mansuub = related]
dost ham us ko hii paiGaam-e-karam samajhenge
terii furqat kaa jo jalataa huaa lamhaa hogaa
[paiGaam-e-kam = message of kindness; fuqat = separation]
daaman-e-ziist me.n ab kuchh bhii nahii.n hai baaqii
maut aa_ii to yaqiinan use dhokaa hogaa
[daaman-e-ziist = fabric of life; yaqiinan = surely]
raushanii jis se utar aa_ii lahuu me.n mere
ai masiihaa vo meraa zaKhm-e-tamannaa hogaa
দ্বাৰা Nishant Akshar| 1381 মতামত
Do you know that Buddhist monks practice specialized form of chanting in lower notes to strengthen their vocal chords and deepen their voice?
Kharaj ka Riyaz means practising lower notes. The practice of lower notes is emphasised a lot in Indian Classical Music. Even though singing usually involves middle notes, the practising lower notes is must for perfect voice culture and development of tonal bass in singing.
The thumb rule in Indian Classical Music is to practice swaras in lower notes, especially in the morning, and sing in the usual middle and higher notes.
দ্বাৰা Nishant Akshar| 23150 মতামত
We usually undermine the importance of old people. In fact, they are an asset. Here one of the contemporary ghazal poet, Sarvesh Chandausvi writes in favour of the aged.
Composed and sung by Nishant Akshar the music of this track has been arranged by Anuroop Kukreja, a product of SRFTI, Calcutta, India.
দ্বাৰা Nishant Akshar| 1495 মতামত
Watch Cover song Mera Kuchh Saman Tumhare Paas Pada Hai by Sarita Video.
দ্বাৰা Nishant Akshar| 1612 মতামত
Raga Bhairav - A Brief Introduction
Bhairav involves all the 7 notes with 'komal' (soft notes) Rishab and Dhaivat and therefore known as a heptatonic (Sampurna) Hindustani Classical raga of Bhairav Thaat.
Bhairav Raag is primarily sung in the early morning time.
This video includes the basic understanding of the notes used in Raag Bhairav with bandish 'Dhan Dhan Murat Krishna Murari' dedicated to Lord Krishna.
দ্বাৰা Nishant Akshar| 1275 মতামত
Aaj Jane ki Zid Na Karo, a beautiful ghazal sung by legendary singers such as Fardia Khanum ji, Asha Bhonsle Ji, etc. is one of the hot favourite of all listeners. Indeed, this track reverberates throughout hearts all over the world.
In this video, Sarita Ji, a professional singer, teaches this beautiful ghazal for those who wish to learn and sing. This exceptionally valuable audio/visual depicts not only the notes involved in this composition but also the taal (rhythm) that this song goes along with.
দ্বাৰা Nishant Akshar| 18703 মতামত
Raga Yaman - A Brief Introduction
Yaman involves all the 7 notes with 'tivr' (sharp note) Madhyam and therefore known as a heptatonic (Sampurna) Hindustani Classical raga of Kalyan Thaat.
দ্বাৰা Nishant Akshar| 1268 মতামত
Watch Valentine Ghazals Composed and Sung by Nishant and Sarita Video.
দ্বাৰা Nishant Akshar| 1221 মতামত
Watch Valentine Ghazals Composed and Sung by Nishant and Sarita Video.
দ্বাৰা Nishant Akshar| 1392 মতামত