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Bhumi Pednekar recently appeared in the comedy Thank You For Coming and the film invited some extreme reactions from the viewers. While some praised the film for its bold concept, some shamed it for that. In an exclusive conversation with Bollywood Bubble host Akash Bhatnagar, Bhumi spoke about the latter group of people and slammed them for the shaming. She expressed her disappointment towards people who didn’t criticise the film but its intent. The actress discussed the prevalent gender bias and how people never took offence when she was a part of such stories told from a male perspective. She pointed out how Pankaj Tripathi and Akshay Kumar starrer OMG 2 was supported by the same people who shamed her film, when somewhere they dealt with the same subject. Bhumi revealed if not getting any support from women within the industry disappointed her. She highlighted the hypocrisy of the situation that people accept objectification of women but have a problem with them talking about their sexuality. You can watch the entire conversation here.
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Bhumi Pednekar on reaction to Thank You For Coming, OMG 2, lack of gender equality, viewer hypocrisy
द्वारा Bollywood Bubble| 344 दृश्य
Amit Shah के बयान पर Congress ने किया पलटवार | Randeep Singh Surjewala | Madhya Pradesh | #dblive
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Press briefing of Election Commission of India on completion of 2nd Phase of #LokSabhaElection2019 and State Legislative Assemblies elections.
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Tiger 3 Movie Gets 7 Am First Show On November 12
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Education ???? पर Arvind Kejriwal की जबरदस्त Speech ???? | Latest Motivational Speech | Aam Aadmi Party
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Education ???? पर Arvind Kejriwal की जबरदस्त Speech ???? | Latest Motivational Speech | Aam Aadmi Party
द्वारा AAP| 209312 दृश्य
Watch ghazal penned by Abbas Dana
Apne Khvaabo.n me.n tujhe jis ne bhii dekhaa hogaa
aa. Nkh khulate hii tujhe Dhuu.NDhane nikalaa hogaa
zindagii sirf tere naam se mansuub rahe
jaane kitane hii dimaaGo.n ne ye sochaa hogaa
[mansuub = related]
dost ham us ko hii paiGaam-e-karam samajhenge
terii furqat kaa jo jalataa huaa lamhaa hogaa
[paiGaam-e-kam = message of kindness; fuqat = separation]
daaman-e-ziist me.n ab kuchh bhii nahii.n hai baaqii
maut aa_ii to yaqiinan use dhokaa hogaa
[daaman-e-ziist = fabric of life; yaqiinan = surely]
raushanii jis se utar aa_ii lahuu me.n mere
ai masiihaa vo meraa zaKhm-e-tamannaa hogaa
द्वारा Nishant Akshar| 1381 दृश्य
Do you know that Buddhist monks practice specialized form of chanting in lower notes to strengthen their vocal chords and deepen their voice?
Kharaj ka Riyaz means practising lower notes. The practice of lower notes is emphasised a lot in Indian Classical Music. Even though singing usually involves middle notes, the practising lower notes is must for perfect voice culture and development of tonal bass in singing.
The thumb rule in Indian Classical Music is to practice swaras in lower notes, especially in the morning, and sing in the usual middle and higher notes.
द्वारा Nishant Akshar| 23150 दृश्य
We usually undermine the importance of old people. In fact, they are an asset. Here one of the contemporary ghazal poet, Sarvesh Chandausvi writes in favour of the aged.
Composed and sung by Nishant Akshar the music of this track has been arranged by Anuroop Kukreja, a product of SRFTI, Calcutta, India.
द्वारा Nishant Akshar| 1495 दृश्य
Watch Cover song Mera Kuchh Saman Tumhare Paas Pada Hai by Sarita Video.
द्वारा Nishant Akshar| 1612 दृश्य
Raga Bhairav - A Brief Introduction
Bhairav involves all the 7 notes with 'komal' (soft notes) Rishab and Dhaivat and therefore known as a heptatonic (Sampurna) Hindustani Classical raga of Bhairav Thaat.
Bhairav Raag is primarily sung in the early morning time.
This video includes the basic understanding of the notes used in Raag Bhairav with bandish 'Dhan Dhan Murat Krishna Murari' dedicated to Lord Krishna.
द्वारा Nishant Akshar| 1275 दृश्य
Aaj Jane ki Zid Na Karo, a beautiful ghazal sung by legendary singers such as Fardia Khanum ji, Asha Bhonsle Ji, etc. is one of the hot favourite of all listeners. Indeed, this track reverberates throughout hearts all over the world.
In this video, Sarita Ji, a professional singer, teaches this beautiful ghazal for those who wish to learn and sing. This exceptionally valuable audio/visual depicts not only the notes involved in this composition but also the taal (rhythm) that this song goes along with.
द्वारा Nishant Akshar| 18703 दृश्य
Raga Yaman - A Brief Introduction
Yaman involves all the 7 notes with 'tivr' (sharp note) Madhyam and therefore known as a heptatonic (Sampurna) Hindustani Classical raga of Kalyan Thaat.
द्वारा Nishant Akshar| 1268 दृश्य
Watch Valentine Ghazals Composed and Sung by Nishant and Sarita Video.
द्वारा Nishant Akshar| 1221 दृश्य
Watch Valentine Ghazals Composed and Sung by Nishant and Sarita Video.
द्वारा Nishant Akshar| 1392 दृश्य
Ornamentations or various types of modulations in Indian Classical are widely applauded as it makes the exploration of a raga mesmerizing. With different kinds of ornamentations available at hand, the given are prominent and form the bedrock of beautification process.
Meend is widely used in Indian Classical along with khatka, murki and gamak thus making the progression of notes more appealing and captivating. It is these subtle modulations that makes the Indian Classical melodious and beautiful.
द्वारा Nishant Akshar | 3877 दृश्य
Mein Tenu Samjhavan Ki originally sung by Rahat Fateh Ali Khan.
Watch Main tenu samjhawan ki by Nishant Akshar With HD Quality
द्वारा Nishant Akshar| 1743 दृश्य
Aaj Jane ki Zid Na Karo, a beautiful ghazal sung by legendary singers such as Fardia Khanum ji, Asha Bhonsle Ji, etc. is one of the hot favourite of all listeners. Indeed, this track reverberates throughout hearts all over the world.
In this video, Sarita Ji, a professional singer, teaches this beautiful ghazal for those who wish to learn and sing. This exceptionally valuable audio/visual depicts not only the notes involved in this composition but also the taal (rhythm) that this song goes along with.
द्वारा Nishant Akshar| 18703 दृश्य
Sarita Sings Aaiye Meherbaan at India Habitat Centre, Silver Oak Hall
Watch Nishant Akshar and Sarita Live at IHC - Sarita sings Aaiye Meherbaan With HD Quality
द्वारा Nishant Akshar| 17447 दृश्य
Ornamentations or various types of modulations in Indian Classical are widely applauded as it makes the exploration of a raga mesmerizing. With different kinds of ornamentations available at hand, the given are prominent and form the bedrock of beautification process.
Meend is widely used in Indian Classical along with khatka, murki and gamak thus making the progression of notes more appealing and captivating. It is these subtle modulations that makes the Indian Classical melodious and beautiful.
द्वारा Nishant Akshar| 3877 दृश्य
Sarita (QUEEN OF GOLDEN VOICE) - Doston Tum Sab Ko Yeh Shaam Mubhark Ho, Programme at Gurgaon, Pinnacle, India - Live Song and Ghazal Shows - +91 9810034468, 0120-4242455
द्वारा Nishant Akshar| 17505 दृश्य
Timeless Love Rendered Sublime
Valentine Ghazals Composed and Sung by Nishant and Sarita
द्वारा Nishant Akshar| 176212 दृश्य
Hum the Jinke Sahare by Sarita originally sung by Lata Ji - Live Song and Ghazal Shows 91 9810034468 , 0120-4242455
द्वारा Nishant Akshar| 49265 दृश्य
Sarita (Queen of Golden Voice) sings Aiye Mehebaan at Gurgaon, Pinnacle, IndiaWatch Nishant Akshar and Sarita - Sarita sings Aaiye Meherbaan With HD Quality
द्वारा Nishant Akshar| 1682 दृश्य
Do you know that Buddhist monks practice specialized form of chanting in lower notes to strengthen their vocal chords and deepen their voice?
Kharaj ka Riyaz means practising lower notes. The practice of lower notes is emphasised a lot in Indian Classical Music. Even though singing usually involves middle notes, the practising lower notes is must for perfect voice culture and development of tonal bass in singing.
The thumb rule in Indian Classical Music is to practice swaras in lower notes, especially in the morning, and sing in the usual middle and higher notes.
द्वारा Nishant Akshar| 23150 दृश्य
Sarita sings Lag ja Gale ki Phir Ye Hansi Raat Ho Na Ho sung by Lata Mangeshkar Ji
द्वारा Nishant Akshar| 17110 दृश्य
Ornamentations or various types of modulations in Indian Classical are widely applauded as it makes the exploration of a raga mesmerizing. With different kinds of ornamentations available at hand, the given are prominent and form the bedrock of beautification process.
Meend is widely used in Indian Classical along with khatka, murki and gamak thus making the progression of notes more appealing and captivating. It is these subtle modulations that makes the Indian Classical melodious and beautiful.
द्वारा Nishant Akshar| 3877 दृश्य
Watch ghazal penned by Abbas Dana
Apne Khvaabo.n me.n tujhe jis ne bhii dekhaa hogaa
aa. Nkh khulate hii tujhe Dhuu.NDhane nikalaa hogaa
zindagii sirf tere naam se mansuub rahe
jaane kitane hii dimaaGo.n ne ye sochaa hogaa
[mansuub = related]
dost ham us ko hii paiGaam-e-karam samajhenge
terii furqat kaa jo jalataa huaa lamhaa hogaa
[paiGaam-e-kam = message of kindness; fuqat = separation]
daaman-e-ziist me.n ab kuchh bhii nahii.n hai baaqii
maut aa_ii to yaqiinan use dhokaa hogaa
[daaman-e-ziist = fabric of life; yaqiinan = surely]
raushanii jis se utar aa_ii lahuu me.n mere
ai masiihaa vo meraa zaKhm-e-tamannaa hogaa
द्वारा Nishant Akshar| 1381 दृश्य
Do you know that Buddhist monks practice specialized form of chanting in lower notes to strengthen their vocal chords and deepen their voice?
Kharaj ka Riyaz means practising lower notes. The practice of lower notes is emphasised a lot in Indian Classical Music. Even though singing usually involves middle notes, the practising lower notes is must for perfect voice culture and development of tonal bass in singing.
The thumb rule in Indian Classical Music is to practice swaras in lower notes, especially in the morning, and sing in the usual middle and higher notes.
द्वारा Nishant Akshar| 23150 दृश्य
We usually undermine the importance of old people. In fact, they are an asset. Here one of the contemporary ghazal poet, Sarvesh Chandausvi writes in favour of the aged.
Composed and sung by Nishant Akshar the music of this track has been arranged by Anuroop Kukreja, a product of SRFTI, Calcutta, India.
द्वारा Nishant Akshar| 1495 दृश्य
Watch Cover song Mera Kuchh Saman Tumhare Paas Pada Hai by Sarita Video.
द्वारा Nishant Akshar| 1612 दृश्य
Raga Bhairav - A Brief Introduction
Bhairav involves all the 7 notes with 'komal' (soft notes) Rishab and Dhaivat and therefore known as a heptatonic (Sampurna) Hindustani Classical raga of Bhairav Thaat.
Bhairav Raag is primarily sung in the early morning time.
This video includes the basic understanding of the notes used in Raag Bhairav with bandish 'Dhan Dhan Murat Krishna Murari' dedicated to Lord Krishna.
द्वारा Nishant Akshar| 1275 दृश्य
Aaj Jane ki Zid Na Karo, a beautiful ghazal sung by legendary singers such as Fardia Khanum ji, Asha Bhonsle Ji, etc. is one of the hot favourite of all listeners. Indeed, this track reverberates throughout hearts all over the world.
In this video, Sarita Ji, a professional singer, teaches this beautiful ghazal for those who wish to learn and sing. This exceptionally valuable audio/visual depicts not only the notes involved in this composition but also the taal (rhythm) that this song goes along with.
द्वारा Nishant Akshar| 18703 दृश्य
Raga Yaman - A Brief Introduction
Yaman involves all the 7 notes with 'tivr' (sharp note) Madhyam and therefore known as a heptatonic (Sampurna) Hindustani Classical raga of Kalyan Thaat.
द्वारा Nishant Akshar| 1268 दृश्य
Watch Valentine Ghazals Composed and Sung by Nishant and Sarita Video.
द्वारा Nishant Akshar| 1221 दृश्य
Watch Valentine Ghazals Composed and Sung by Nishant and Sarita Video.
द्वारा Nishant Akshar| 1392 दृश्य