Learn Indian Classical Ornamentations, Meend, Khatka, Gamak and Murki
Ornamentations or various types of modulations in Indian Classical are widely applauded as it makes the exploration of a raga mesmerizing. With different kinds of ornamentations available at hand, the given are prominent and form the bedrock of beautification process.
Meend is widely used in Indian Classical along with khatka, murki and gamak thus making the progression of notes more appealing and captivating. It is these subtle modulations that makes the Indian Classical melodious and beautiful.By Nishant Akshar| 3877 views
Popular Videos
Hum The Jinke Sahare by Sarita
Hum the Jinke Sahare by Sarita originally sung by Lata Ji - Live Song and Ghazal Shows 91 9810034468 , 0120-4242455
By Nishant Akshar| 49265 views
Nishant Akshar and Sarita Live at IHC - Sarita sings Aaiye Meherbaan
Sarita Sings Aaiye Meherbaan at India Habitat Centre, Silver Oak Hall
Watch Nishant Akshar and Sarita Live at IHC - Sarita sings Aaiye Meherbaan With HD QualityBy Nishant Akshar| 17447 views
Learn Indian Classical Vocal Online - Kharaj Ka Riyaz - Practicing Lower Notes
Do you know that Buddhist monks practice specialized form of chanting in lower notes to strengthen their vocal chords and deepen their voice?
Kharaj ka Riyaz means practising lower notes. The practice of lower notes is emphasised a lot in Indian Classical Music. Even though singing usually involves middle notes, the practising lower notes is must for perfect voice culture and development of tonal bass in singing.
The thumb rule in Indian Classical Music is to practice swaras in lower notes, especially in the morning, and sing in the usual middle and higher notes.By Nishant Akshar| 23150 views
Learn Indian Classical Ornamentations, Meend, Khatka, Gamak and Murki
Ornamentations or various types of modulations in Indian Classical are widely applauded as it makes the exploration of a raga mesmerizing. With different kinds of ornamentations available at hand, the given are prominent and form the bedrock of beautification process.
Meend is widely used in Indian Classical along with khatka, murki and gamak thus making the progression of notes more appealing and captivating. It is these subtle modulations that makes the Indian Classical melodious and beautiful.By Nishant Akshar| 3877 views
Learn How to Sing Aaj Jane Ki Zid Na Karo by Sarita
Aaj Jane ki Zid Na Karo, a beautiful ghazal sung by legendary singers such as Fardia Khanum ji, Asha Bhonsle Ji, etc. is one of the hot favourite of all listeners. Indeed, this track reverberates throughout hearts all over the world.
In this video, Sarita Ji, a professional singer, teaches this beautiful ghazal for those who wish to learn and sing. This exceptionally valuable audio/visual depicts not only the notes involved in this composition but also the taal (rhythm) that this song goes along with.By Nishant Akshar| 18703 views
Yeh Ishq Hai - Yeh Ishq Hai Aisa Jazba Jo Lafzon Mein Batana Mushkil Hai
Timeless Love Rendered Sublime
Valentine Ghazals Composed and Sung by Nishant and SaritaBy Nishant Akshar| 176212 views
Lag Ja Gale Cover by Sarita
Sarita sings Lag ja Gale ki Phir Ye Hansi Raat Ho Na Ho sung by Lata Mangeshkar Ji
By Nishant Akshar| 17110 views
Nishant Akshar and Sarita - Sarita Sings Doston Tum Sab Ko Yeh Shaam Mubarak Ho
Sarita (QUEEN OF GOLDEN VOICE) - Doston Tum Sab Ko Yeh Shaam Mubhark Ho, Programme at Gurgaon, Pinnacle, India - Live Song and Ghazal Shows - +91 9810034468, 0120-4242455
By Nishant Akshar| 17505 views
Recent Videos
Learn Indian Classical Ornamentations, Meend, Khatka, Gamak and Murki
Ornamentations or various types of modulations in Indian Classical are widely applauded as it makes the exploration of a raga mesmerizing. With different kinds of ornamentations available at hand, the given are prominent and form the bedrock of beautification process.
Meend is widely used in Indian Classical along with khatka, murki and gamak thus making the progression of notes more appealing and captivating. It is these subtle modulations that makes the Indian Classical melodious and beautiful.By Nishant Akshar| 3877 views
Apne Khwabon Mein Tujhe Ghazal by Nishant Akshar
Watch ghazal penned by Abbas Dana
Apne Khvaabo.n me.n tujhe jis ne bhii dekhaa hogaa
aa. Nkh khulate hii tujhe Dhuu.NDhane nikalaa hogaa
zindagii sirf tere naam se mansuub rahe
jaane kitane hii dimaaGo.n ne ye sochaa hogaa
[mansuub = related]
dost ham us ko hii paiGaam-e-karam samajhenge
terii furqat kaa jo jalataa huaa lamhaa hogaa
[paiGaam-e-kam = message of kindness; fuqat = separation]
daaman-e-ziist me.n ab kuchh bhii nahii.n hai baaqii
maut aa_ii to yaqiinan use dhokaa hogaa
[daaman-e-ziist = fabric of life; yaqiinan = surely]
raushanii jis se utar aa_ii lahuu me.n mere
ai masiihaa vo meraa zaKhm-e-tamannaa hogaaBy Nishant Akshar| 1381 views
Learn Indian Classical Vocal Online - Kharaj Ka Riyaz - Practicing Lower Notes
Do you know that Buddhist monks practice specialized form of chanting in lower notes to strengthen their vocal chords and deepen their voice?
Kharaj ka Riyaz means practising lower notes. The practice of lower notes is emphasised a lot in Indian Classical Music. Even though singing usually involves middle notes, the practising lower notes is must for perfect voice culture and development of tonal bass in singing.
The thumb rule in Indian Classical Music is to practice swaras in lower notes, especially in the morning, and sing in the usual middle and higher notes.By Nishant Akshar| 23150 views
Ghazal dedicated to old people Agar Bhule Se Aa Jati by Nishant Akshar
We usually undermine the importance of old people. In fact, they are an asset. Here one of the contemporary ghazal poet, Sarvesh Chandausvi writes in favour of the aged.
Composed and sung by Nishant Akshar the music of this track has been arranged by Anuroop Kukreja, a product of SRFTI, Calcutta, India.By Nishant Akshar| 1495 views
Cover Song Mera Kuchh Samaan Tumhare Paas by Sarita
Watch Cover song Mera Kuchh Saman Tumhare Paas Pada Hai by Sarita Video.
By Nishant Akshar| 1612 views
Learn to sing Raga Bhairav, Online Indian Classical Lesson by Nishant Akshar for beginners
Raga Bhairav - A Brief Introduction
Bhairav involves all the 7 notes with 'komal' (soft notes) Rishab and Dhaivat and therefore known as a heptatonic (Sampurna) Hindustani Classical raga of Bhairav Thaat.
Bhairav Raag is primarily sung in the early morning time.
This video includes the basic understanding of the notes used in Raag Bhairav with bandish 'Dhan Dhan Murat Krishna Murari' dedicated to Lord Krishna.By Nishant Akshar| 1275 views
Learn How to Sing Aaj Jane Ki Zid Na Karo by Sarita
Aaj Jane ki Zid Na Karo, a beautiful ghazal sung by legendary singers such as Fardia Khanum ji, Asha Bhonsle Ji, etc. is one of the hot favourite of all listeners. Indeed, this track reverberates throughout hearts all over the world.
In this video, Sarita Ji, a professional singer, teaches this beautiful ghazal for those who wish to learn and sing. This exceptionally valuable audio/visual depicts not only the notes involved in this composition but also the taal (rhythm) that this song goes along with.By Nishant Akshar| 18703 views
Learn to Sing Raga Yaman, Online Indian Classical Lesson by Nishant Akshar for Beginers
Raga Yaman - A Brief Introduction
Yaman involves all the 7 notes with 'tivr' (sharp note) Madhyam and therefore known as a heptatonic (Sampurna) Hindustani Classical raga of Kalyan Thaat.By Nishant Akshar| 1268 views
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